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Hallmark Visits Arkansas City to Prepare for 2018 Fire Brigade Ornament
Representatives from Hallmark Keepsake Ornaments were in Arkansas City on Feb. 7 to film, measure and photograph a historic fire engine.
The visit was part of an almost two-year-long process to turn the Arkansas City Fire-EMS Departmentâs 1932 Buick fire engine into a collectible holiday ornament.
âWe are very excited about featuring this unique and beautiful fire engine as an upcoming ornament in our âFire Brigadeâ series,â said Michael Brush, editorial strategist for Hallmark Keepsake Ornaments.
The Buick will be released in mid-2018 as part of that yearâs ornament series.

Keepsake artist Robert Hurlburt accompanied Brush on the trip to Arkansas City to take the photos and measurements that he will need to start sculpting the miniature ornament.
The eighth fire engine in the Fire Brigade series was modeled after a 1951 Ford fire engine from Leawood. Every year since theyâve tried to find a truck with some kind of interesting background.
The Buickâs history â it started life as a burned-out robbery getaway car â was a perfect fit.
Brush and Hurlburt were met Feb. 7 by City Manager Nick Hernandez, Fire Chief Bobby Wolfe, ACFD Capt. Chet Ranzau and former city commissioner Jean Snell, who helped to restore the Buick.
Director Jennifer Dreiling and cameraman Jake Johnson, with the Hallmark Photography Studio, accompanied the team and filmed the entire visit for an exclusive production video on the Keepsake Ornament Club collectorsâ website.
The team also recorded audio of the Buickâs siren and bell. One of those sounds might be included as part of the ornament design, to be heard when a button is pressed.

In what Brush said was a first for the Hallmark crew, they even had a chance to ride in the engine on a short tour of Arkansas City, with ACFD Firefighter -Paramedic Cody Ball in the driverâs seat.
âI think your engine will make a really stunning ornament and I am positive that our âFire Brigadeâ series collectors will love it as much as I do,â Brush said.
He said he learned about the Buick five years ago while doing internet research for future projects.
In the next month or so, Hurlburt will start sculpting the ornament digitally. Next, a model will be âgrownâ on a 3-D printer so that the intricate details can be added by hand.
Once it is finished and painted, the resulting model will be reviewed by the Keepsake Ornaments  leadership team to make sure it is up to the seriesâ standards before it finally is approved for manufacturing.
Once all of those steps are completed, production could start late this year or early next spring.
The ornaments will be available in July 2018.
“Hallmark visits Ark City to prepare for 2018 fire truck ornament.” City of Arkansas City,
https://www.arkcity.org/news_detail_T6_R158.php
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From Getaway Car to Fire Truck
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Featured Artist: Joanne Eschrich


Title:
Master Keepsake Designer
Started at Hallmark:
September 14, 1981
Started at Keepsakes:
January 1996
Hometown:
Westport, Massachusetts
People started collecting Joanne Eschrichâs work when she was in third grade. Of course, the collectors at that time were her classmates. Later, the requests kept comingâin high school fellow classmates asked her to illustrate their biology reports. That was Joanneâs moment of discovery. Unfortunately, it was because the biology teacher didnât think Joanne should be sharing her talents when it came to homework assignments.
Joanneâs parents encouraged their children to be creative with their playtime. As a young artist being raised on a farm, Joanne had no shortage of animal friends to pose for her. She built dollhouses with her sisters and spaceships with her brothers.
When college came along, Joanne knew she was going to study art. Nothing else was as important. Despite her parentsâ attempts to talk her out of her career choice, she persevered and got an interview with Hallmark in her senior year. A job offer soon followed.
Joanne had never even considered sculpting when she was asked to try doing a piece for the Hallmark Merry Miniatures line. She created a basset hound named Sebastian for that assignment and discovered that her sculpting abilities rivaled her illustration talent.
Joanne doesnât have to look far for inspiration or support for her craft. Her daughters Jamie and Anna are thrilled with what she does, especially when she brings her work home and they get to give their opinions or model for her angels.
âOn a few occasions theyâve brought my original sculptures along with the finished ornaments to âshow and tellâ at their school,â says Joanne. âThey also love seeing âMomâ on the back of the ornament boxes at the store.â
Hopeful Father Christmas
Premium Collection
Joanne Eschrich never expected Poland to feel so much like home.
âIt had a very relaxed, friendly atmosphere,â says Joanne, who traveled with a small Hallmark team to several glass-blowing vendors in summer 2015. âThe people there were very down to the earth; there are a lot of churches; I loved the food. All of it.â Joanne adds that buildings in the town of JĂłzefĂłw, Poland, are just as quaint as you might imagine. âWe were in heaven,â Joanne says. âIt was like something out of a storybook.â
At Silverado, a family-owned business in JĂłzefĂłw, original proprietor Jerzy JaroszyĹski started his Old World glass-blowing workshop in 1959. His daughters and sons-in-law now run the shop, but Jerzy still trains their artisans and designers.
The family invited the Hallmark team to their home, which was directly behind the shop. âThey were so personable,â Joanne says. âIt was such a great connection to come from a family-owned business like Hallmark and work with family-owned businesses over there. It was this great understanding.â
Inspired, in large, by what they saw in the showrooms, Joanne and the team began a fruitful collaboration that is now in its second year. For Christmas 2016, Joanne created a Madonna, an angel, an ornate cross and an evergreen inside a glass dome. For 2017, Hopeful Father Christmas is the second ornament that Joanne has tied to her Father Christmas series, which began in 2004. The one she used as inspiration, from 2005, carries the theme of harmony.
âIt was a lot of fun working with them to understand what I was trying to connect it with,â Joanne says. They deliberately chose not to go with a more familiar bright-red coated Santa. They wanted something a little more unique, hence the âharmonyâ Santa holding musical instruments. âWe thought the rich burgundy and the gold would play off this off-white glass ball very nicely,â Joanne says.
So after she cropped the character the way she wanted, the artisans at Silverado sculpted the mold, performed the glassblowing, handcrafted the snowflake designs on the back and added a flocked-fabric material to replicate his coatâwith Joanne and team providing art direction and input along the way.
âIt was fun to see the intricacy of the detail on the glass,â Joanne says. âItâs amazing how accurate they were, how beautiful the details were.â
âą In Memory of – Mary Hamilton

Mary V. Hamilton
May 10, 1936 – January 20, 2017
It is with great sadness that we report the passing of beloved Hallmark Keepsake Artist Mary Hamilton. Please click on the attached links to see her full obituary or sign her guestbook.
Here is an article I found that was adapted from HallmarkâA Century of Caring by Patrick Regan that summarizes Mary’s career.
Over the companyâs long history, there have likely been hundreds of women named Mary employed by Hallmark. But if you had strolled through the art department at any time over the last 50 years and asked for Mary, youâd almost surely have been directed to just one woman. In the history of Hallmark artists, thereâs really only one Mary.
Mary Hamilton was born in tiny Keytesville, Missouri, but her family moved to Kansas City when she was still a girl. The summer after high school graduation, she won a yearlong scholarship to the Kansas City Art Institute. She also applied for a job at Hallmark but was asked to come back after finishing her courses. On June 13, 1955, she returned to Hallmark with her slim portfolio of artwork. She was hired on the spot.
Mary began her career at Hallmark sketching flowers and finishing other peopleâs art. But soon she was creating her own illustrations from start to finish. Though adept in a variety of media, Mary perfected a signature style of watercolor that is instantly recognizable.
Often starting with a light pencil drawing, she paints over her sketch in light, âwashyâ watercolors, blending the subtle colors and adding darker tones that define each piece in just a few strokes.
âI try to put accents in each design to pop the little character or shape out of the background,â she says. âI paint with a feeling in mind. I never have any set pattern. You learn to do it without quite realizing how.â
Hallmark artists know that rendering emotion in brush strokes is trickyâand nearly impossible to explain. But Maryâs colleagues recognize that her ability to produce an âawâ response with her innocent, sweet-faced waifs and little animals is what most endears her to fansâand generates the hundreds of fan letters sheâs received in her career.
For the first time in 1988, a sweet, cherubic figure named Buttercup adorned peopleâs Christmas trees. Buttercup was the first of the iconic Maryâs Angels series that became loved by Keepsake Ornament collectors for 25 years. The series was inspired by Maryâs greeting card art and has been sculpted throughout the years by Keepsake Artist Robert Chad.
âAfter all this time, Buttercup still is one of my very favorites. Itâs very pleasing to me that people like them so much,â Mary says. âThey are not childlike, they are ageless. They make the heart feel good when you look at them. And from the beginning, I thought that Chad had really captured the drawing in the ornament. The face and the sweet, little eyesâŚChad did the right thing.â
Through the years, Mary has created hundreds of the whimsical characters for Hallmark greeting cards and gift products, but she has gained her greatest renown for her signature bears. In 1997, her artistic achievement was showcased in her own line of products. The âMaryâs Bearsâ line included cards, stationery, albums, plush bears, a tea set, ceramic plates, mugs, books, a puzzle, gift wrap, and stickers.
Though sheâs become a Hallmark icon whose work remains in constant demand, Mary Hamilton is still the same dedicated, self-effacing artist who came to Hallmark, portfolio in hand, in 1955. And she still strives to grow and learn new techniques. When art directors ask for work that is looser, less detailed than her previous illustrationsâin keeping with current trendsâMary delivers.
âI never want to say Iâve done it all,â Mary Hamilton says. âI like the challenge of coming up with something different than the last time. As long as the emotion is there, I always want to try new things.â
Related Post Fondest of Farewells (Mary Hamilton Retires)








